Alex Kosenko is an independent artist from Brisbane, Queensland and his music can be described as a unique mix of Blues, Rock and Roots, accompanied by his inventive electric sound.  Alex’s one-man band performances include a thumping kick drum and tambourine, howling harmonica solos, bluesy acoustic-electric guitar and soul driven vocals.  Alex’s dynamic live shows are high energy performances that leave audiences captivated and wanting more.

Peter Combe is Australia’s best known children’s singer/songwriter and the original King of the Kids. 

His achievements include 3 ARIAS for Best Children’s Album - Toffee Apple 1988, Newspaper Mama 1989, The Absolutely Very Best of Peter Combe (in Concert) 1992, 7 Gold & 2 Platinum Albums and 1 Gold DVD. 6 ARIA nominations all together. 

Recent national tours include Live It Up in 2017, Christmas 2018 and Greatest Hits 2020/2021. His 2021 Adelaide Fringe 8 concert season sold out. 

In 1987 he pioneered ABC for Kids, Australia's first kids music label. 

He’s sold over a million CDS & DVDs 

He presented BBC TV's Music Time recorded in London from 1977-1980

He performed 2 Sold Out shows at the Sydney Opera House Concert Hall in 1988 

Peter Combe’s Christmas Album, went gold in 5 weeks on its release in 1990, and is now an established Australian Family classic. It is the only successful Australian Christmas Album comprising ALL original songs. 

Mr Clicketty Cane (Wash Your Face in Orange Juice) with over 10 million streams on Spotify and 6.8 million YouTube viewings, is known literally by every child in Australia...and by most of their parents! 

Voted ‘Traditional Blues Artist of the Year’ 2022, 2024 and 2025 by the Sydney Blues Society, multi award winning Dom Turner is best known as guitarist, lead vocalist, and founding member of the legendary Australian blues group, Backsliders, as well as touring in international collaborations as The Turner Brown Band, and with Sunpie Barnes, Phil Wiggins and RL Boyce. 

With The Rural Blues Project, Dom presents a mix of unashamedly upbeat and raw electric rural blues songs—hybrid versions of songs from Charley Patton to Lead Belly, Fred McDowell to RL Burnside—as well as originals from his extensive catalogue. Joining Dom is the shuffle king himself, legendary drummer Rosscoe Clarke (Foreday Riders, Cyril B Bunter) along with keyboard master, Johnny Gauci (Johnny G and the E-Types) 

Released in 2014, Blue Planet Eyes introduced The Preatures to the world with its infectious blend of 60s R&B and country-inflected pop-rock. The album garnered widespread critical acclaim, and a devoted global following crossing genres and generations, thanks to its irresistible hooks, timeless sound and standout tracks like ‘Is This How You Feel?’, ‘Better Than It Ever Could Be’ and ‘Somebody’s Talking’. Debuting at #4 on the ARIA charts, Blue Planet Eyes also earned four ARIA nominations and a J Award nomination, with a further two songs placing in triple j’s Hottest 100 in the year of their release (‘Is This How You Feel’ #9 in 2013 and ‘Somebody’s Talking’ #29 in 2014). 

With their songs ringing out around the world, it was clear The Preatures had found ‘it’: an inexplicable but totally identifiable thing. Suddenly, they had gone from playing clubs for hundreds of people to performing in front of tens of thousands. Their quick rise to fame as one of Australia's most exciting acts had earned them a reputation for their boundary pushing song writing and magnetic live shows which saw them play countless shows, including a fifty-date regional tour of Australia, two shows at Sydney Opera House, triple j’s Beat The Drum concert, Splendour In The Grass and Falls Festival, as well as huge international spots on Jimmy Kimmel Live, mainstage Coachella, SXSW, Bonnaroo and Glastonbury. 

However, having reached dizzying heights that most artists could only ever dream of, the five friends from Sydney also found themselves facing mounting pressures. Non-stop touring, financial troubles, personal relationships and the pandemic took a toll on the band and much to fan’s disappointment, they decided to call it quits. 

Fortunately, in the years since, band members have flourished, with frontwoman Izzi Manfredi releasing her remarkable debut solo record, izzi, while pregnant during COVID, while her bandmates Jack, Thomas, Luke and Gideon have gone on to start families, run their own businesses and perform with the biggest artists in the country. 

With a newfound stability, and time to grow, heal and reflect, that magnetic energy that defines The Preatures was fatefully pulling them back together. 

Excited to resurrect the band, The Preatures explain,” We dedicated our entire young lives to this group and to the music we made, falling in love with playing to crowds, however big and brash or small and sweaty. It was insane and we loved it all. Our decision to break up was never because of the music. Sometimes you really need to let go of everything to realise and appreciate what you have. For us, it’s about recognising and letting go of mistakes, allowing adversity to strengthen us, and trusting our game. We don’t know exactly what’s going to happen, but the idea of a comeback has an almost mystical ability to capture our imagination in a cynical world, and we can’t wait to relight that fire and remind ourselves what a privilege it is to play for you.”